ADAP / ADAP II Soundrack: Difference between revisions

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'''ADAP''' by [http://www.soundonsound.com/sos/aug00/articles/atarinotes.htm Hybrid Arts], similar to Sound Designer, in as much that it was the Sample Editor to the ADAP Soundrack hardware package. The ADAP Soundrack was introduced in 1987 and capable of handling 16-BIT stereo samples up to a frequency of 44.1 kHz.
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'''[https://translate.google.co.uk/translate?sl=auto&tl=en&js=y&prev=_t&hl=en&ie=UTF-8&u=http%3A%2F%2Fwww.stcarchiv.de%2Fstc1987%2F02%2Fadap-soundrack&edit-text=&act=url] ADAP''' by [http://www.soundonsound.com/sos/aug00/articles/atarinotes.htm Hybrid Arts], similar to Sound Designer, in as much that it was the Sample Editor to the ADAP Soundrack, a hardware ADC. Introduced in 1987 it is apable of handling 16-BIT stereo samples up to a sampling frequency of 44.1 kHz (despite 61 kHz claims). It also provided support for MIDI Sample Dump using the SDS format.
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However in 1989 along came ADAP II Soundrack, which offered D2D recording, much like Digidesign's [Sound Tools].
   
   

Revision as of 00:13, 2 March 2016

[1] ADAP by Hybrid Arts, similar to Sound Designer, in as much that it was the Sample Editor to the ADAP Soundrack, a hardware ADC. Introduced in 1987 it is apable of handling 16-BIT stereo samples up to a sampling frequency of 44.1 kHz (despite 61 kHz claims). It also provided support for MIDI Sample Dump using the SDS format. However in 1989 along came ADAP II Soundrack, which offered D2D recording, much like Digidesign's [Sound Tools].



== Overview

  • Name: Pro Sound Designer
  • Sample Format: 8 BITS
  • Sample Rate: 3 to 30 kHz
  • Sound Quality: Mono